Rhinestone Guy, Inc
Call Us At (888) 594-7999 or (714) 480-1000 Fax: ( 714) 480-1005
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Dear Freinds: Please read this!
January 1st, 2008, there will be significant price increases across the board got All Swarovski and Czech Preciosa rhinestones due to tremendous Exchange rate increase of the Eurodollar compared to the US Dollar...the exchange rate is being held artificially low at this time, through December. As of January 1st, we are expecting price increases in excess of 10%, AND February 1st, we are expecting another 13-15 % increase in prices !!!!! We have absorbed the price increases this year since January 1st, 2007 and cannot continue to do so as of January 1st. Expect significant increases in Rhinestones, Banding, jewels, and nail heads. IF you plan on purchasing rhinestones, sooner is better than later, for the prices increase will be dramatic, two months in a row...and after that, wherever the exchange rate will determine the cost, monthly ! I am very sorry that I have to inform you of this, but price increases are far beyond our profit margin, and we cannot operate in this manner. I hope you understand. Swarovski increases will be more dramatic than those of Czech machine cut....the cost of Heat set stones will rise sharply also, making transfers much higher. Phil Brandt
There is a considerable product offering in our catalog. These notes will help to clarify differences and similarities in products, especially Rhinestones and their grades.
Rhinestones:
Most clothing decorations, today, are done with Flat Back rhinestones. Most jewelry applications use Point Back rhinestones. If you prefer the added brilliance of Point Backs in decorating clothing, Point Backs can be used, but cannot be glued to the garment. Here, Tiffany Mounts (described later) are used to affix the rhinestones to the garment. Mounting rhinestones is much more labor intensive than is gluing rhinestones to fabric. Mounting Point Back rhinestones to fabric will cause the fabric to pucker around the rhinestone to some extent. Gluing or Mounting Flat Back rhinestones to fabric will not disturb the fabric's lay.
Rhinestone Brilliance is derived from: Type of glass used (Lead Crystal is far more bright than glass) and the Cut of the rhinestone.
The CUT of the rhinestone greatly influences its brilliance! Purchase the rhinestone with cut in mind. Rhinestones with more facets will glimmer more than those cut with fewer facets, AND rhinestones cut with fewer facets will flash more than those cut with a higher number of facets. We have found the perfect compromise to be 8 facets around the table (table is the flat top of the rhinestone). When more facets are added to the rhinestone, the reflected light is broken into more and more pieces, therefore each piece of reflected light is smaller. Understand that up close, the more facets a rhinestone has, the better it will look to your eye. BUT! The real test of a rhinestone is at a distance of intended viewing...Costumers design outfits that are showing at distances of greater than 4 feet. Here, in all cases, the 8 facet rhinestone will be superior in effect to rhinestones of higher cut facets.
We have no preference as to manufacturer IF the rhinestone is of Lead Crystal and the cut is 8 facet. Older Swarovski (Austrian) is of 8 facets (Style 2000 in flat back, Style 1000 in Point back), but newer Swarovski is Style 2028 with 14 facets around a smaller table. We find that this rhinestone is NOT doing the job that costumers want. The rhinestone does shimmer, and up close, Swarovski looks very good. BUT at distances of 3-4 feet or more, the Swarovski rhinestone is not producing a 'high bling' effect.
We have changed our stance as to what crystal looks better in most applications, and find that true Bohemian Crystal is a far better choice than Austrian. These stones flash brilliantly and are different than the older rhinestones produced in the Czech Republic. We have found a great variance from manufacturer to manufacturer, and carry only the highest quality crystal produced by Preciosa. This rhinestone comes in varying grades, therefore INSIST on Grade One! Grade One Preciosa is one of the finest stones we have seen, and is comparable to the Swarovski Style 2000 (no longer made). Preciosa has invested multimillions of dollars in re-tooling their plant in the past years and is producing an extremely fine product that does what rhinestones are supposed to do...FLASH and add brilliance. Here, I must add that as far as CRYSTAL color, Swarovski is better than Preciosa...a little brighter. But the difference is small and if you are purchasing a lot of these stones, consider the Preciosa...unless Preciosa and Swarovski are compared side by side, the difference cannot be seen.
Preciosa produces a two cut rhinestone, the top and bottom are cut, the facets are molded. This rhinestone is called either 2X cut or Extra grade. Beware! This rhinestone is copied and sold under the name "Extra" by many inferior companies at greatly reduced costs, but the quality of the counterfeit stones is very bad. If money dictates that you use Extra grade rhinestones, insist that you are getting Grade One Preciosa Extra. You will be very disappointed in 2nd or worse grades, and you will not like other company's 'Extra' grade. We do not like the Extra Grade rhinestone in colors, for the facets are very poor. The Crystal and Crystal AB rhinestones in this grade are alright for the budget-minded.
Rhinestone Guy Machine Cut Rhinestones: Available in most sizes, are fully machine cut rhinestones of very high quality for their cost. The clarity is very good, the cuts are specified by us to be 8 facet with good table for maximum light reflection and minimal internal shadowing. These stones are a very good choice for those on a budget. We have specified the cut and clarity for our use and are proud to offer them to the public. We do not put our name on junk.
Rhinestone Guy 2X Rhinestones: These are available in Heat Fix variety only. The stones are fine for many applications, adhere well at 310 degrees F, and in general, surpass many stones found on clothing at retail chains. There is a definite market for this rhinestone in the Heat Transfer arena of clothing. This stone generally surpasses that of Korean stones you find in the market place. The colors are good, the cut is fine. This stone fills a niche for the cottage industry where every penny counts. In this day and age, it is the bling that counts, not the "name." Here, we afford our clients the best stone for the money. It is obvious that if you are producing clothing that you sell for lower dollar, you cannot apply expensive rhinestones and turn a buck. The Rhinestone Guy 2X cut is the answer to that problem. We use these stones internally for lower priced heat transfers and have no problems with them. And we have no complaints as to quality...in fact, we are praised that we can offer this stone at remarkably low prices.
Made by Preciosa, this stone is double cut (top and bottom only) and facets are molded. The facets are not as sharp as the Machine cut, and we have seen considerable variance in quality of this stone. Some lots, especially the crystal and crystal AB, come in ok, and others are not so good. This is NOT lead crystal, but is glass. Therefore, this stone does not have the brilliance that either Swarovski or Czech Machine cut exhibit. It is available in Crystal and transparent colors, as well as Crystal AB, but not in Colors AB or effect colors. We suggest this stone for children's clothing or for Tee Shirts. We do not recommend this stone for dance wear any longer. We will continue to carry Crystal and Crystal AB in sizes 16SS, 20SS, 30SS, and 34SS in this quality, but colored stones are not being brought in for stock any longer. If you want colors in this stone quality, please inquire, subject to stock on hand. If you need colors in this stone, opt for Rhinestone Guy 2X quality, as it surpasses most "Extra Grade" stones we see.
Acrylic rhinestones have their place where decorations are added to inexpensive clothing. Make no mistake about it, these rhinestones do NOT sparkle like the real thing because acrylic does not transmit light as does glass or lead crystal. BUT, their cost is attractive for children's wear and single-use costumes. AND, not all acrylic rhinestones are created equally! We handle only premium acrylic. Acrylic rhinestones are made by molding. Occasionally, mold tabs are present that have to be broken off the rhinestone before using...not many, but a few have these tabs. We do like the acrylic jewels, not only for cost, but in many instances, we feel they look better than do the Czech fire-polished jewels which are more expensive. If you are gluing acrylic rhinestones to fabric or other items, do NOT use Super Glue or similar glues. We strongly suggest using only GemTac for acrylic rhinestones.
There is one advantage of acrylics over crystal rhinestones...the mirror backing is an integral part of the stone, whereas glass and crystal rhinestones have the mirror applied as a coating. The coating can peel from the glass. This is especially important when gluing larger stones, such as cabochons, faceted jewels, etc.
Acrylic Rhinestones certainly have their place...If you are stuck with a houseful of kids on a rainy day, give them acrylic rhinestones and a Bedazzler, get out a bunch of old Tee Shirts and let them go to town! This will entertain them for hours!
These rhinestones are the same as above, except each flat back rhinestone has a heat-melt glue on the back ready for gluing by heat. Czech Heat Fix stones have a glue that melts and adheres at about 305 degrees F. Swarovski, at this time, has two heat fix rhinestones on the market...be careful as to what you are buying. The style 2012 requires from 340 - 375 degrees F. IF your fabric is easily damaged by heat, these are not the stones for you! Most Swarovski rhinestones sold today are style 2028, which has glue that melts at 305-310 degrees F. BUT! There are many of the older glue still available, especially in the heat fix shapes, such as navettes, squares, etc...make sure you know what you are buying, for the older glue will not adhere at the lower temperatures....NEVER mix the two stones in the same transfer or setting process...If the heat is high enough for the older stone, the newer stone's glue will wick out into the fabric and leave the stone without sufficient glue to stick! Here, bond stones with the older glue first, then come back in and used lower heat to bond the newer stones...a two step mounting process.
These stones can be set with an iron set at about wool, a heat press set to required temperature, or with a tool designed to mount stones one at a time. BUT! these stones have a serious draw back...they come off fabric more easily than do a well-glue rhinestone. And here is the reason.
Regardless of what anyone tells you, the weakest link in the rhinestone system is its mirror backing (the coating on the back of a rhinestone is a mirror bonded to the glass...that is how it reflects light. This mirror does not have a very strong bond with the glass and can be broken free of the glass with abrasion. That is why you see a nice silver, shiny spot where a rhinestone used to be...the glass has come loose from the backing.)
When you use heat set rhinestones, only the backing is glued to the fabric. These stones will let loose over time in a washing machine and/or dryer. It is highly advised to hand-wash any items with glued rhinestones, regardless of how they are put on the garment. AND, do not dry clean any garment that has any kind of glued stones on it, be it glue or heat fix. Regardless of the manufacturer, the cleaning fluids can denature the glue, cause it to become yellow and brittle, or just plain dissolve it. Newer Swarovski Heat Fix glue does resist damage by dry cleaning. But there are no guarantees in life, for some dry cleaning will not harm the glue, other dry cleaning will. And since you do not know what kind of fluids are used at any one time, you will not know if your stones will survive the process...don't take the chance if you cannot sample test first...especially fine, expensive clothing. !
Heat Set rhinestones are becoming more and more popular...they are the only way to go for large patterns. Here, you can us transfers pre-made in patterns of your choice. I believe the heat set stones to be clumsy when setting one stone at a time, for it takes a lot longer to mount the stones with heat than it does with glue. Small rhinestones (SS6 through SS16) seem to fare very well with the heat process. Larger stones will have a tendency to be ripped free in high-abuse areas of garments. Here, glue seems to hold the stones better.
Colors of Rhinestones and Jewels:
- Crystal: diamond-like, clear, no color, the rhinestone most often seen
- Transparent Colors: Gem-like colors, often named after the gem they imitate, such as: Emerald (green), Peridot (lime green), Sapphire (royal blue), Amethyst (purple), etc. If the name has 'Light' before it, it is a paler version of the color.
- Colors AB: these stones are produced by adding an Aurora Borealis coating to the stone. The coating will cause a prismatic effect in light refraction, casting all colors of the rainbow, with the base color showing through. Crystal AB results when a 'Crystal' color has an AB coating applied. This stone will cast mild colors in all ranges. Lately, we like the colors AB of Preciosa better than those of Swarovski, the coatings are lighter on the Preciosa, and therefore, more of the stone's color shows through.
- Effect Colors: Special colors produced by polarization of the glass and coatings, usually producing two or more different colors, depending upon how light is hitting the stone. Both Czech and Swarovski produce these stones. Both Preciosa and Swarovski produce gorgeous effect colors. Unfortunately, these stones tend to vary from lot to lot, some darker, some lighter.
Please order the color chart to see all of the above colors in action! Color charts are produced in actual rhinestones, with rhinestones for each size mounted across the top of each card. The chart has all Swarovski AND Czech Preciosa rhinestones on it.
Tiffany Mounts: Prongs that come up through fabric and wrap around stone edges (like a ring's setting). They are very inexpensive, easy to use, BUT will snag everything in sight. We do not recommend their use on sweaters. Choose Tiffany mount of same SS or MM as jewel or stone for mounting. Available for all sizes and shapes of stones.
Rim Mounts: Surround edge of stone with solid ring (bezel) with prongs going down into fabric, bending over on the reverse side of the fabric. Will not snag surround fabrics, but your garment should be lined to protect you and your underclothes from the "tabs". Available in all sizes and shapes, measured in SS (for mounting rhinestones 12 SS through 48SS) and in MM ( for mounting jewels and larger rhinestones, mirrors). If a stone measures 15MM, then mount with a 15MM rim.
Rhinestone Sizes: No, the system does not particularly make sense to me either! But, it is enough to know that rhinestones, nail heads, and some jewels are sized by Jewelry Trade nomenclature. Since we cannot change it, we joined the bandwagon and attempt to explain what the sizes mean. Please have a millimeter ruler on hand to figure all this out. (most rulers have an 'inch' side and a metric side (labled 'CM'...each CM (Centimeter) is 10 millimeters, and the little marks between each CM are millimeters.)
SS sizes: SS stands for 'Stone Size,' an arbitrary jewelry sizing of stones, correlates to a millimeter diameter range, i.e., 20SS is 4.5-4.8 mm diameter. See Size Chart for sizes
PP Sizes: PP stands for 'Pearl Plate', a sizing device for pearls. the larger the PP size, the larger the rhinestone. Small pointed back rhinestones are sized in PP, i.e., 3PP, etc.
Glue and Rhinestones:
It seems that everyone has an opinion about glue, what glue, when to glue, glue is better/sewing is better, and .................. but since I am the one that is writing, my opinion counts more!! Whether to glue or sew/use mounts is more a question of future use than what is better or easier. So: IF your garment/item must be dry-cleaned somewhere/sometime, DO Not use glue. All glues currently in use are sensitive to the cleaning fluids used ( including iron-on types ). The fluid deteriorates the glue, and discolors it. Therefore, if you are stoning velvet, AND you plan to use it to the point that it must be cleaned, then either mount or sew on the stones. If you plan to use pointed back stones, they will have to be mounted. Otherwise, glue IS the choice. It is fast, easy, and 'do-able' where thousands of stones are to be used. (some people will tell you that Swarovski Heat Fix glue can be dry cleaned. Please note that that is only partially true...it can be by some methods and not be damaged, but by other dry cleaning methods, it will be ruined....do not take a chance!)
Choice of glue: There's a lot of choices here, we have preferred 'GemTac' for strength and consistency in the past, - dries clear, doesn't glop out of dispenser, and if used correctly, hangs on to the stones very well. But, after much research and testing, we are producing our own glue that we find superior to any on the market. Look for its release very soon under the name, "Rhinestone Guy Glue".
Most stone loss, after gluing, is the result of technique rather than glue failure. Always press stone into glue, put down just enough glue to come out around stone when pressed into glue (just barely). When gluing larger Jewels, it is VERY important to capture the edges with glue. No silvered backing can support the weight of the stone. The stone will break loose from the silver backing, fall off, and leave a very shiny silver shape stuck to the garment. And do not lay down so much glue that the surface will skim-dry before the stone is set into it. We strongly suggest using 'Applicator sticks' when stoning...much faster, much easier, and you don't need tweezers. These glues are usually white in the bottle, but dry clear, are water soluble before drying, and withstand washing very well. GemTac dries clear and has elasticity. It sticks to everything I have used it on, and especially glass (where I got sloppy and forgot to clean it off....razor blades had to be used to scrape it off.) I have glued 150,000 rhinestones to a motorcycle with Rhinestone Guy Glue, and have not lost one stone, even with serious washing and cleaning! (Yes, we sell glue and Applicator sticks.)
Rhinestone Guy Glue: developed to hold rhinestones very well to fabric, glass, metal, plastic, and painted surfaces. This glue retains high elasticity over a very wide temperature range, dries matt clear within hours. We have spent much time and money developing this glue to meet our specifications, and it is ready for release. The glue is as strong, if not stronger, than any glue available today. We are very pleased with it. You will be also.
Other glues in use include E6000...good, strong, fast drying, but leaves strings of glue when you pull back. don't even think about hot glue guns...failure is very high. Super Glue is great for the fast fix, but not in the long run...too thin, runs out into fabric. Epoxy glues are strong, but highly allergenic (do not get this stuff on your skin, do not inhale fumes...it is only a matter of time before you will develop an allergy to it, and when you do, the body's reactions can be very strong, as in open sores, swelling, oozing, need I say more? AND, you can develop an allergy to it overnight...Surprise, Surprise!)...good for jewelry, but not garments. Epoxies usually do not have elasticity. OK for Belt Buckles, but rough sand the metal before setting with Epoxy. These glues are available in most hardware stores as a two part dispenser that must be mixed before using. Do not mix very much at one time, as it begins to set within seconds, and is very temperature sensitive. DO NOT allow water to mix into glue, as you will have a gummy mess. Do NOT get this stuff on your skin! It is not water/soap soluble. Use Acetone only if you must, Acetone goes into the skin and can affect kidneys!
DO NOT USE 'Super Glue' with acrylic stones...damages surfaces. Do not dry clean garments with acrylic rhinestones...they will be dulled.
Terms: SS: "Stone Size", used for flat back and larger pointed back stones. 8SS = 2.3 mm, 10 SS = 2.8 mm, 12 SS = 3.1 mm, 16 SS = 3.9 mm, 20 SS = 4.7 mm, 30 SS = 6.4 mm, 34 SS = 7.1 mm, 40 SS = 8.9 mm, 42 SS = 9.1 mm, 49 SS = 11.1 mm
pp: "Pearl Plate", used for pointed back stones up to about pp35. Roughly, 1/2 pp = SS, but not exactly. (this name comes from pearl sizing techniques where a plate has holes of a certain size drilled in it so pearls of that size or smaller will fall through)
AB: " Aurora Borealis" Coating on rhinestone to produce rainbow of color reflection. Very effective on Crystal rhinestones, used on colored stones to enhance reflection. AB coating make stones "shine" more under spotlights. (our opinion).
Tin Cut: High precision cutting of beads and drops, vastly superior to "fire polished", the difference between Cut Glass and Molded glass.
Fire Polished: Translation: molded glass, facet edges not as sharp as cut facets (machine cut)
Seed Bead: tiny, usually round beads of some color, with a tiny hole for stringing or sewing. Use with BEADING NEEDLES, as normal needle is too big to go through hole. Used for decoration, sewing sequins to fabric (bead in center), attaching Lockrosens, etc. Use size 13/0 or 11/0 seed beads to mount Lochrosens, Margaritas, or Corona rhinestones. Use Japanese quality only, as these beads do not discolor with time as does the Chinese or Taiwan versions. (Silver lining will tarnish in Chinese and Taiwan beads with time).
Bugle Bead: graded by size from 1 to 5, then in mm. The longer the bead, the more easily it is broken. Expect broken beads in your order! Look like little tubes with very small hole running length of bead. Available in colors, AB, silver lined, etc. Use Beading Needle to sew or string. Note: If you are making a costume, etc. that you expect to use for years, USE Japanese quality beads, more expensive, but silvers and reds will not discolor over time as with Chinese/Taiwan beads.
Rochaille Bead: very similar to a seed bead.
Cut Beads or Tin Cut Beads: This is the critter used for necklaces, bracelets, etc. Highly cut and polished jewelry grade beads sized in mm (from 3mm to about 18 mm) available in most colors and AB coatings. Have regained popularity BIG TIME to the point where supply cannot keep up with demand. Expect these guys to rise in price sharply! Produced by Swarovski and Czech, beautiful to look at, very durable. Use for fabric decorations, strings, bracelets, necklaces, etc.
BiCone (Bi-Cone) Bead: Same as Diamond Cut Bead, very popular when used by themselves or mixed with round and or cube beads.
Fire Polished Bead: faceted beads, similar to Cut beads, but do not have the sharp facets that cut beads exhibit. MUCH less expensive than Cut Beads. Available in huge color range, AB, and effect colors. Used in inexpensive (K-Mart) strands.
NAIL HEAD SIZING: sized either by SS sizes or Nail Head sizing...small nail heads are measured in SS, larger ones are Nail Head sizes...very confusing, even to us!
We hope the above is helpful. If you have questions, please Email or call. If we don't have the answer, we will get it for you.
Phil Brandt, Rhinestone Guy